transition, lauren marsolier 

les filles follen i, ana cuba 

stone clad cottages, richard woods studio

monuments, thibaud herem

leaf house, marra + yeh architects

weekend series, jonathan frantini 

el veranillo de san miguel, lola guerrera 

sardinhas festas de lisboa'12 competition, ana tomé + maria roby amorim

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casa eadie, tribe studio 

porcelain garden, cecilia borghi 

sandworm, beaufort04 (fourth triennial of contemporary art by the sea), marco casagrande 

le cimetière orthodoxe, aralsk, kz, 2003

le port, aralsk, kz, 2003

un dimanche d’août, nergen, 1997, tudo por claudine doury 

suspicious movements, giesen leenders 

The series Suspicious Movements was inspired by the Film Noir of the 30s/40s. The images are a kind of film stills from different scenes, showing a suspicious action. 

In every image there is a surprising factor, which makes the series temporary and peculiar. The photograph’s can be seen separately, but also as frames of an enduring movie. Suspicious Movements has been rewarded with the Members Choice Award of PANL Award#12, 2003 of the Photographers Association of the Netherlands.

diedrittedimension, jva/prison, duesseldorf rath, germany, markus linnenbrink 

fleet foxes' visual projections, sean pecknold 

between here and there, 2010, damien rudd

There is nothing more absurd than existence. The absurdity of existence is the conflict between the human tendency to seek inherent meaning in life and the human inability to find any. The universe and the human mind do not each separately cause the absurd, but rather, the absurd arises by the contradictory nature of the two existing simultaneously.
 This series is about the absurdity of death and existence and the transition of the two, the journey from one to another. It is about the place where the past, present and future become one, when all that can be known is known, dreams become reality and fiction becomes truth.